Working with Anna

The clip above is from a project called Decoywoman by Anna Falcini, which I shot and co-edited. Anna Falcini and I have been friends for many years. We set up a moving image event called Eye Candy in Herefordshire many years ago, when our children were still quite young. Eye Candy was a lot of work but good fun: it was a chance for local film-makers, VJs and artists to show off their work. The venues we used weren’t usual arts venues, places like The Imperial pub and the much-missed Doodies. You’d confront art installations in one room, wander into another to be confronted by a stack of old cathode ray TVs showing short films and visuals while our resident DJ Jus’ Jay spun a few discs. In the next room would be a programme of shorts, made by local filmmakers keen to show off their work. One time we had a screening at the Courtyard arts centre, which featured local short films alongside more renowned film-makers such as Stan Brakhage – a film-maker who really had an impact on me back in my student days, and had recently died. There was another event at the Ross International Arts festival, in which the tent got a severe battering from the weather. Some of the 15 people involved in Eye Candy split off to do their own thing as MASH cinema and Salt Road. Pretty much all of us have continued our creative work.

Over the years Anna and I have given one another a lot of emotional support, encouragement and inspiration which has helped us to carry on our own creative practices through the many trials and tribulations of funding applications, dealing with commissioners and the hundred creative and logistical jostlings it takes to get a project off the ground. I worked on Anna’s Chère Julie project about Gwen John as her ‘online’ editor – tweaking edits and colour grading.


In June of 2022 Anna asked me to help out on her Decoywoman project, and I was happy to be involved. Initially I was the camera-person, so after some preliminary discussions the two of us spent the day filming out by the decoy pond. Although I would have dearly loved a camera assistant and sound recordist to help out at times, the benefit of working one-to-one with Anna in such beautiful and remote surroundings meant that we could try things out intuitively. We had no storyboards but Anna had some clear ideas of the atmosphere she wanted to create and the actions she wanted detailed.

For a time, that was all I had to do but Anna went ahead and the video was shown as part of her Decoywoman exhibition at Zandra Rhodes Gallery, University for the Creative Arts, Rochester. Anna said, ‘Decoywoman investigates the remains of Decoy Pond, a post-medieval earthwork used to lure and trap wildfowl on Halstow Marshes, High Halstow, in North Kent. In character as Decoywoman, Anna Falcini reimagines the traditional role of the decoy man who maintained and managed the decoy pond’.

In September of 2023, after the kerfuffle of Summer had died down, I had some free time so I suggested that I could do a colour grade and tweak some of the edits in the film. Anna said yes, and she loved the results. Do check out the above link for the finished film (coming soon, once Anna has collected her hard drive). In the meantime, I hope you enjoy the extract above.